Experiencing Art and Life at Alberta University of the Arts

The author shares experiences as a first-year Bachelor of Fine Arts student at Alberta University of the Arts. Exciting and challenging, the environment invigorates creativity and offers opportunities for personal growth and artistic expression. The author enjoys engaging with younger peers, adapting to a busy academic schedule, and embracing the freedom to create meaningful art.

Earlier this year I mentioned that I had been accepted to the Alberta University of the Arts (AUArts) as a first year student pursuing a Bachelor of Fine Arts (BFA). Now that I am halfway through the first term I thought I would share my experiences so far.

It was during the two days of mandatory orientation, early in September, when I quickly realized that I was going to be immersed in an energy far different from my life so far. The orientation was jam-packed and fast-paced. We were placed into small groups for orientation activities. I ascertained that there were definitely other “mature students” in our midst, and as wide-eyed groups of new students passed each other in the halls and stairwells, us older folks caught each others’ eyes. As the mornings turned into afternoons, our glances at each other shared a common telepathic message: When do we get our nap? Well, a nap or some kind of break at a pub. Either would have been fine! Sadly neither happened, but AUArts did a fantastic job of orienting all new students to university life. And my group won first place in a competition to create fashion out of found objects. An auspicious beginning!

As I settled into my new routine and started attending classes, the difference in the energy compared to my daily life before was palpable. It’s GOOD to hang out with younger people! They are full of ideas and full of “trying to figure things out.” They form friendships quickly. They have different issues and problems that distract me from my own worries. I immediately knew that I was going to be challenged by both their creativity and their talents. In fact, there are already a few first-year students that have caught my attention as being artists to watch. The vibe is dynamic, and casual – yet at the same time, very serious. It’s given me new life and new curiosity, and I couldn’t be more grateful.

The assignments are plentiful and time-consuming. It’s definitely been a challenge to balance work, studies and domestic life. I quickly learned that I can’t let a day go by without working on at least one of my classes. Even one day of mindless bliss and abdication of responsibilities comes at a heavy price.

Instructors and technicians at AUArts unanimously promoted an energy of “all things are possible”. Comments such as “You can’t light a fire in the building, but if you WANT to, make sure you see a tech. There’s probably a way to make it happen.” or, “You are not allowed to have remains such as bones here, but if you want to bring them in, see a tech first and we’ll figure it out.”

In other words, if it’s art, you can probably do it. The benefit is that it leaves our minds free to think of anything from ridiculous to sublime. I believe that a free mind is a very good place from which to cultivate meaningful art. It meant that a first-year student submitted a drawing of a collection of sex toys for her first assignment, and another submitted an assignment based on holding various types of papers over smoke – to see what kinds of marks the smoke could make. It also means that cohorts of young (and older!) students are able to free ourselves to create from a genuine place. Authenticity is a challenge in our society. AUArts demands it.

A sample of the author's sketching practice.
Drawing practice, 2024 Laura Silver

Another amazing part of the Alberta University of the Arts is that there are gallery spaces absolutely everywhere. Any student can apply to display their art – from an individual piece to an entire show – at just about any time! This gives us all the opportunity to build our professional curriculum vitae with respect to formal gallery shows. In fact, my recently completed hat – wet felted from merino wool – is on display in a spot reserved for the National Gallery of Contemporary Fibre Art. How cool is that?

Merino wet felt hat. 2024 Laura Silver

So far I am loving university – despite the intensity of the material and the panic of deadlines. It’s so challenging, and I can FEEL the effect of being exposed to an entirely new environment with new mental (and even existential) challenges has on my mind, body and spirit. It’s invigorating.

One of the biggest lessons so far has been realizing how ingrained I was in my routine and my patterns, prior to starting university. My life had become routine and predictable. I had often thought, “Tomorrow, I’ll wake up and do something different.” but my tomorrows turned into more tomorrows. Voluntarily thrusting ourselves into an unfamiliar situation wakes us up! I am so pleased that I have put myself in a situation where I NEED to create art every day. It hasn’t taken away the magic of it. In fact it’s given me permission to indulge in one of my greatest joys – something I didn’t think I had time for, before. I’ve carved out some time, and I am loving it.

Guest Blog: Susan Manchester

Let’s Meet the Artist!

I’ve known Susan for approximately fifteen years. I used to walk my giant dog, Ty, in Bloor West Village in Toronto. Susan, her late husband Mike, and I would chat whenever I caught them hanging out on their front porch – which was generally any evening that the weather was nice. Susan often painted on the porch and I was fascinated by the free form and colour of her pieces. When Mike passed away early in 2011, Susan found solace in painting. I should also mention she is an incredible poet. The tomes I have of her work are some of my most prized possessions. In my quest to highlight female artists, Susan is a “VIP” guest blogger – creative, engaging, and exuding both genius and warmth. I am a huge fan.

Susan and her studio assistant, Cookie.

Susan, what is your earliest memory?

My earliest memory of doing something artistic may be making potholders on a metal “loom” using nylon loops. Does that count? It is significant to me because I loved the colors then and I still love colors.

What mediums do you use, and do you have a favourite?

I use acrylic paints, tissue paper, Japanese paper, ribbons, lace, fabrics. My favorite is Japanese paper with acrylics.

Mixed media work by Susan Manchester

Tell me about your studio, and how much time you spend in it.

My studio is upstairs in a room that used to be a bedroom. It faces east with a big window so the morning light is wonderful and throughout the day the light is good. I have oodles of Japanese paper: some rolled up and stored in clear plastic compartments that hang on the door; some hanging over dowels on the wall; some in piles on shelves. 

My paints are stored in labeled clear plastic containers on book shelves. I have a large table where I use a table easel for smaller work.  I have a desk where I use the paper cutter and store some materials for making painted greeting cards. A large easel sits in the center of the room for larger work.

I spend an average of 2 to 3 hours a day in my studio in the cold weather. When the weather is warmer I paint outside on the front porch or the back deck.

Mixed media work by Susan Manchester

What are some items in your studio that you can’t live without?

In the studio, I can’t live without my little kettle for tea or instant coffee. Haha! And my four Thomas Cole prints that are on the wall above my large table.

We’ve often heard the idea that you have to be a “suffering artist” to make great art. Do you think this is true? Can we make art from a place of great joy and ease?

Yes you can make art from joy and ease! I have done it both ways—after my husband died I was suffering terribly and used my art to paint the grief. And now, 13 years later, I can say I am mostly happy and the art is flowing. That does not mean that I don’t tap into the grief—I do, often. But the energy that comes with the joy of creating allows the art to live vibrantly and meaningfully.

What are the things that challenge you, as an artist?

My main challenge as an artist is to be able to paint more intuitively, especially as I am leaning more towards the abstract. Another challenge is to try to resist the solitary life that can develop when the desire to remain in the sudio is so strong.

Who are the artists that YOU follow? 

I am loving Louise Fletcher and Dorothy Ganek as abstract artists. My first influences were Dali, Van Gogh’s “The Potato Eaters,” and my all time favorite landscape artist Thomas Cole.

What is the best advice you have ever received as an artist?

Best advice: “A tree can be any color.” That came from my teacher Modesto Ingratta, who is still my teacher. That little statement says it all. It is all about freedom, truth, and courage for an artist. There is no end to the learning. Rejoice in that!

Do you have any “Stretch Goals” or ways that you want to express yourself that you haven’t tried yet?

I am always stretching. I may try pastels. Never done that and I have a lovely set.

Where can we find your work?

My work is available on my website: susanmanchester.myfreesites.net
You can see a bit of my process here.

Or follow me on Instagram: susan_manchester and DM me for details.