Let’s Meet the Artist!
I’ve known Susan for approximately fifteen years. I used to walk my giant dog, Ty, in Bloor West Village in Toronto. Susan, her late husband Mike, and I would chat whenever I caught them hanging out on their front porch – which was generally any evening that the weather was nice. Susan often painted on the porch and I was fascinated by the free form and colour of her pieces. When Mike passed away early in 2011, Susan found solace in painting. I should also mention she is an incredible poet. The tomes I have of her work are some of my most prized possessions. In my quest to highlight female artists, Susan is a “VIP” guest blogger – creative, engaging, and exuding both genius and warmth. I am a huge fan.

Susan, what is your earliest memory?
My earliest memory of doing something artistic may be making potholders on a metal “loom” using nylon loops. Does that count? It is significant to me because I loved the colors then and I still love colors.
What mediums do you use, and do you have a favourite?
I use acrylic paints, tissue paper, Japanese paper, ribbons, lace, fabrics. My favorite is Japanese paper with acrylics.

Tell me about your studio, and how much time you spend in it.
My studio is upstairs in a room that used to be a bedroom. It faces east with a big window so the morning light is wonderful and throughout the day the light is good. I have oodles of Japanese paper: some rolled up and stored in clear plastic compartments that hang on the door; some hanging over dowels on the wall; some in piles on shelves.
My paints are stored in labeled clear plastic containers on book shelves. I have a large table where I use a table easel for smaller work. I have a desk where I use the paper cutter and store some materials for making painted greeting cards. A large easel sits in the center of the room for larger work.
I spend an average of 2 to 3 hours a day in my studio in the cold weather. When the weather is warmer I paint outside on the front porch or the back deck.

What are some items in your studio that you can’t live without?
In the studio, I can’t live without my little kettle for tea or instant coffee. Haha! And my four Thomas Cole prints that are on the wall above my large table.
We’ve often heard the idea that you have to be a “suffering artist” to make great art. Do you think this is true? Can we make art from a place of great joy and ease?
Yes you can make art from joy and ease! I have done it both ways—after my husband died I was suffering terribly and used my art to paint the grief. And now, 13 years later, I can say I am mostly happy and the art is flowing. That does not mean that I don’t tap into the grief—I do, often. But the energy that comes with the joy of creating allows the art to live vibrantly and meaningfully.
What are the things that challenge you, as an artist?
My main challenge as an artist is to be able to paint more intuitively, especially as I am leaning more towards the abstract. Another challenge is to try to resist the solitary life that can develop when the desire to remain in the sudio is so strong.
Who are the artists that YOU follow?
I am loving Louise Fletcher and Dorothy Ganek as abstract artists. My first influences were Dali, Van Gogh’s “The Potato Eaters,” and my all time favorite landscape artist Thomas Cole.
What is the best advice you have ever received as an artist?
Best advice: “A tree can be any color.” That came from my teacher Modesto Ingratta, who is still my teacher. That little statement says it all. It is all about freedom, truth, and courage for an artist. There is no end to the learning. Rejoice in that!
Do you have any “Stretch Goals” or ways that you want to express yourself that you haven’t tried yet?
I am always stretching. I may try pastels. Never done that and I have a lovely set.
Where can we find your work?
My work is available on my website: susanmanchester.myfreesites.net
You can see a bit of my process here.
Or follow me on Instagram: susan_manchester and DM me for details.


